Князь и служанка (v.2)

[in the style of Nightwish]

[Intro]
(Cinematic orchestral hit with a dramatic string stab and low brass; followed by a slow, ominous organ pad and subtle harp glissando. After 8 bars, introduce a heavy, mid-tempo guitar riff with double bass kicks. On the 16th bar, drop into the verse with a driving rhythm and a soaring string melody.)

[Verse 1]
Предсказано цыганкой
Тебе, Великий Князь:
«Умрёшь во время пьянки
И гулко рухнешь в грязь».
(Female lead vocal, strong and dramatic; strings play a rising motif behind the melody; heavy guitars on the downbeats; subtle choir pads in the background)

[Pre-Chorus]
В глазах твоих смятенье
И суеверный страх.
Гадалкам нет прощенья —
Ты сжёг их на кострах.
(Build intensity: guitars get heavier; drums add rapid hi-hats and snare rolls; female vocal with more vibrato and emotion; choir harmonies enter on “прощенья” and “кострах”)

[Chorus]
И вот который месяц
Нет в замке уж пиров,
Ты пьяниц всех повесить
На площади готов.
(Maximum power: full band with layered guitars; female lead at her most powerful; choirs singing wordless harmonies for epic scale; strings play a sweeping counter-melody; brass hits on the end of each line)

[Verse 2]
Не бойся, повелитель.
Ты будешь здраво жить,
Пока к тебе в обитель
Я не приду служить.
(Slightly quieter, more atmospheric; female vocal softer but still intense; piano accents under the melody; subtle synth pads; guitars play a melodic, minor-key riff)

[Pre-Chorus 2]
Проворна и красива,
Податлива, умна.
Живу неприхотливо,
Тебе всегда верна.
(Gradual build: guitars get heavier; drums move to a driving pattern with double bass; female vocal more urgent; choir pads grow louder)

[Bridge]
Поила тебя брагой
И ублажала всласть.
И ты готов с отвагой
На площади упасть.
(Dark, brooding atmosphere: heavy, chugging guitars; minimal drums (only kick and snare accents); female vocal with a haunting, almost whispered tone on the first two lines, then rising to a dramatic crescendo on the last two; strings play a descending, mournful motif)

[Guitar Solo]
(Neoclassical, melodic guitar solo with fast arpeggios and legato bends; strings follow the solo with a counter-melody; subtle choir pads in the background; build to a dramatic crash)

[Verse 3 – Revelation]
Ты видишь Смерти прялку
И ниточку на ней.
Ну что, узнал гадалку
В прислужнице своей?
(Female vocal with dramatic emphasis; spoken-word delivery on “Ну что, узнал гадалку” for impact; heavy guitars and driving rhythm; strings play sharp stabs on the end of each line)

[Chorus 2 – Vengeance]
За что сгубил когда-то
Ты всех моих родных?
Убил сестру и брата —
Одна лишь я в живых.
(Full power: double bass kicks, aggressive riffs, massive chorus sound; female lead with operatic intensity; choirs at maximum volume; strings and brass play a soaring, tragic melody)

[Outro – Fate]
Предсказана судьбою
Тебе сегодня смерть.
И, над тобою стоя,
Противно лицезреть,

Как делает из князя
Смерть нищего раба.
Судьбой своей ты связан,
Ведь я — твоя судьба.
(Drop to a sparse texture: slow, ominous organ and low strings; female vocal sings the first four lines with cold, detached emotion. On the last four lines, build to a final, massive climax with full band, choirs, and brass hits. End with a dramatic orchestral hit and a long fade-out with a single violin note and distant bell tolls.)