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Suno Gen
Лиса Олеся

Лиса Олеся

Публичный профиль
Треки
52
Прослушивания
614
Лайки
34
Комментарии
1

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Публичная дискография автора по дате публикации.

Роза и нарцисс (v.2)
3:14
Airy melodic pop with female vocals · gentle piano and warm pads in the verses; chorus blooms with bright guitars · wide synths · and layered harmonies. Mid-tempo groove with soft but steady drums · intimate close-mic vocal that opens into an anthemic hook. Subtle strings lift the bridge
Роза и нарцисс
3:46
Airy melodic pop with female vocals · gentle piano and warm pads in the verses; chorus blooms with bright guitars · wide synths · and layered harmonies. Mid-tempo groove with soft but steady drums · intimate close-mic vocal that opens into an anthemic hook. Subtle strings lift the bridge
Я не твоя  (v.2)
3:19
Moody Russian pop with a dark club edge; slow build from intimate piano and muted synth pads into a thick · pulsing bass groove. Female vocals sit low and smoky · close-mic’d in the verses · then widen with airy doubles and soft harmonies in the hook. Subtle trap-influenced drums · filtered drops before each chorus
Я не твоя
3:23
Moody Russian pop with a dark club edge; slow build from intimate piano and muted synth pads into a thick · pulsing bass groove. Female vocals sit low and smoky · close-mic’d in the verses · then widen with airy doubles and soft harmonies in the hook. Subtle trap-influenced drums · filtered drops before each chorus
Вали на все четыре (v.2)
3:44
Glossy club pop banger with female low vocals; tight four-on-the-floor kick · shimmering synth stabs · fat sidechained bass. Verses stay minimal and rhythmic · close-mic vocal with attitude; pre-chorus adds rising pads and claps; chorus explodes with stacked gang-style hooks and bright top-line. Short bridge strips to bass and vocal before a final · higher-energy chorus outro.
Вали на все четыре
3:16
Glossy club pop banger with female low vocals; tight four-on-the-floor kick · shimmering synth stabs · fat sidechained bass. Verses stay minimal and rhythmic · close-mic vocal with attitude; pre-chorus adds rising pads and claps; chorus explodes with stacked gang-style hooks and bright top-line. Short bridge strips to bass and vocal before a final · higher-energy chorus outro.
Богиня любви Афродита
3:17
Epic altai throat-drone fused with Slavic folk motifs; low female vocals in the lead · shadowed by deep overtone throat singing. Sparse frame drum and shamanic rattles in the verse; chorus opens with wide reverb · layered female harmonies · and a rising choir pad. Huge dynamic swells into each hook · then drop back to intimate
Late Night Low (v.2)
3:01
rap · Smoky dark R&B-trap ballad with close-mic’d female vocals sitting almost ASMR-soft over sparse felted piano and deep sub. Verses ride slow · minimal trap drums and filtered percussion; hooks bloom with wide airy pads · distant vocal chops · and doubled toplines. Subtle reverse guitar swells
Late Night Low
2:42
rap · Smoky dark R&B-trap ballad with close-mic’d female vocals sitting almost ASMR-soft over sparse felted piano and deep sub. Verses ride slow · minimal trap drums and filtered percussion; hooks bloom with wide airy pads · distant vocal chops · and doubled toplines. Subtle reverse guitar swells
Нет больше нас (v.2)
3:32
Moody world-pop ballad with Slavic folk undertones and subtle Middle Eastern colors; nylon guitar and soft percussion lay a gentle pulse · with airy pads swelling in the chorus. Female vocals sit upfront and intimate; verses stay close and fragile · chorus blooms with stacked harmonies and distant vocal echoes. Optional duduk or kaval lines answer the vocal between phrases · building to a final · stripped-down refrain.
Нет больше нас
2:54
Moody world-pop ballad with Slavic folk undertones and subtle Middle Eastern colors; nylon guitar and soft percussion lay a gentle pulse · with airy pads swelling in the chorus. Female vocals sit upfront and intimate; verses stay close and fragile · chorus blooms with stacked harmonies and distant vocal echoes. Optional duduk or kaval lines answer the vocal between phrases · building to a final · stripped-down refrain.
Первый шаг (v.2)
3:21
Romantic neoclassical ballad with warm piano and gentle strings; female low vocals up close and intimate. Verses stay sparse with piano arpeggios and soft cello; chorus blooms as the full string section swells under a clear · resonant melody. Subtle harp accents on key phrases · slow rubato tempo · big emotional lift on the final refrain before a quiet piano outro. · classical
Первый шаг
3:04
Romantic neoclassical ballad with warm piano and gentle strings; female low vocals up close and intimate. Verses stay sparse with piano arpeggios and soft cello; chorus blooms as the full string section swells under a clear · resonant melody. Subtle harp accents on key phrases · slow rubato tempo · big emotional lift on the final refrain before a quiet piano outro. · classical
Скучаю (v.2)
3:04
Moody Russian pop ballad built on warm electric piano · deep sub bass · and minimal trap-influenced drums; female low vocals upfront with smoky doubles in the hook. Verses stay close and intimate · almost spoken; chorus swells with airy pads · distant vocal chops
Скучаю
2:36
Moody Russian pop ballad built on warm electric piano · deep sub bass · and minimal trap-influenced drums; female low vocals upfront with smoky doubles in the hook. Verses stay close and intimate · almost spoken; chorus swells with airy pads · distant vocal chops
Душа
1:41
rap · Smoky dark R&B-trap ballad: close-mic’d female low vocals · intimate almost-spoken verses over sparse piano and deep sub · minimal trap-influenced drums. Hooks bloom with airy pads · distant vocal chops

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