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Suno Gen
Лиса Олеся

Лиса Олеся

Публичный профиль
Треки
22
Прослушивания
142
Лайки
13
Комментарии
1

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Публичная дискография автора по дате публикации.

Счастлива с тобой (v.2)
2:25
Warm mid‑tempo pop ballad with a subtle electronic pulse and rich acoustic guitar layers · female low vocals upfront. Verses stay intimate with close-mic huskiness and soft pads; chorus widens with lush harmonies · airy synth plucks · and a steady groove that invites a slow sway. Bridge strips back to vocal · bass
Счастлива с тобой
2:39
Warm mid‑tempo pop ballad with a subtle electronic pulse and rich acoustic guitar layers · female low vocals upfront. Verses stay intimate with close-mic huskiness and soft pads; chorus widens with lush harmonies · airy synth plucks · and a steady groove that invites a slow sway. Bridge strips back to vocal · bass
Весна в кедах (v.2)
2:34
Upbeat pop-rock with bright acoustic guitars doubled by a lightly overdriven electric · tight live drums · and bouncy bass. Female vocals · playful and forward in the mix · with stacked harmonies on the hook. Verses stay rhythmically choppy and conversational; chorus explodes with big open chords
Весна в кедах
2:12
Upbeat pop-rock with bright acoustic guitars doubled by a lightly overdriven electric · tight live drums · and bouncy bass. Female vocals · playful and forward in the mix · with stacked harmonies on the hook. Verses stay rhythmically choppy and conversational; chorus explodes with big open chords
Тону в тебе (v.2)
3:33
Moody modern folk-pop with deep house pulse · female low vocals. Sparse plucked acoustic over warm sub bass and tight kick · distant vocal chops as texture. Verses stay intimate and close-mic’d · subtle reverb. Chorus widens with stacked harmonies · airy pads
Тону в тебе
3:16
Moody modern folk-pop with deep house pulse · female low vocals. Sparse plucked acoustic over warm sub bass and tight kick · distant vocal chops as texture. Verses stay intimate and close-mic’d · subtle reverb. Chorus widens with stacked harmonies · airy pads
Горькая да сладкая (v.2)
2:57
Slavic folk-club fusion with female low vocals: pounding four-on-the-floor kick under big festival claps · balalaika and accordion riffs chopped into a modern dance groove. Verses stay percussive and intimate with call-and-response shouts; chorus explodes with stacked village-style harmonies and stomping floor toms. Big sub in the drop · bright folk flute hook weaving through · wide reverb on the vocal to feel like a village square turned rave.
Горькая да сладкая
2:31
Slavic folk-club fusion with female low vocals: pounding four-on-the-floor kick under big festival claps · balalaika and accordion riffs chopped into a modern dance groove. Verses stay percussive and intimate with call-and-response shouts; chorus explodes with stacked village-style harmonies and stomping floor toms. Big sub in the drop · bright folk flute hook weaving through · wide reverb on the vocal to feel like a village square turned rave.
Жду тебя, и я дождусь (v.2)
2:38
Folky Russian pop over deep house groove: warm plucked strings and airy pads · muted kick and pulsing bass. Verses sit low and intimate in a female vocal · almost spoken on the edge of a sigh; chorus blooms with wide harmonies and a simple · aching hook. Subtle percussion builds toward a late-bridge lift · then drops back to a stripped
Жду тебя, и я дождусь
3:29
Folky Russian pop over deep house groove: warm plucked strings and airy pads · muted kick and pulsing bass. Verses sit low and intimate in a female vocal · almost spoken on the edge of a sigh; chorus blooms with wide harmonies and a simple · aching hook. Subtle percussion builds toward a late-bridge lift · then drops back to a stripped
Матушка-земля, Россия (v.2)
3:14
Anthemic Slavic-pop ballad with female vocals à la contemporary Russian estrada: warm strings and folk flute over midtempo drums and bass. Verses stay intimate with acoustic guitar and soft pads; chorus explodes with choir-style backing · big tom fills · and soaring lead. Subtle folk ornamentation in the vocal runs · wide reverb for a grand · proud feel.
Матушка-земля, Россия
2:59
Anthemic Slavic-pop ballad with female vocals à la contemporary Russian estrada: warm strings and folk flute over midtempo drums and bass. Verses stay intimate with acoustic guitar and soft pads; chorus explodes with choir-style backing · big tom fills · and soaring lead. Subtle folk ornamentation in the vocal runs · wide reverb for a grand · proud feel.
Ой, то не вечер (сон Степана) (v.2)
3:43
Lyrical folk-pop over glossy deep house groove · female vocals. Gentle plucked strings and subtle folk flute over warm side‑chained pads and muted bass. Verses stay intimate and close-mic’d; pre-chorus lifts with airy harmonies · chorus blooms with layered hooks and bright top synths. Light percussion and filtered claps keep it dancing but dreamy; breakdown strips to voice and drone-like vocal chops before final big chorus. · deep
Ой, то не вечер (сон Степана)
3:52
Lyrical folk-pop over glossy deep house groove · female vocals. Gentle plucked strings and subtle folk flute over warm side‑chained pads and muted bass. Verses stay intimate and close-mic’d; pre-chorus lifts with airy harmonies · chorus blooms with layered hooks and bright top synths. Light percussion and filtered claps keep it dancing but dreamy; breakdown strips to voice and drone-like vocal chops before final big chorus. · deep

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