SunoGen
Лиса Олеся

Лиса Олеся

Автор
Треки
22
Слушали
112
Лайки
11
Скоро
Обложка трека Налей да пой (v.2)
2:32
folk, Modern Russian folk dance track with bouncy live drums, fat bass, and bright balalaika hooks. Low female vocals sit warm and smoky in the verses; choruses open up with stacked gang shouts, claps, and stomps. Fiddle riffs answer the vocal lines, accordion pads fill the midrange. Energy rises fast, brief breakdown with just vocal and handclaps before the final big refrain.
Обложка трека Налей да пой
1:37
folk, Modern Russian folk dance track with bouncy live drums, fat bass, and bright balalaika hooks. Low female vocals sit warm and smoky in the verses; choruses open up with stacked gang shouts, claps, and stomps. Fiddle riffs answer the vocal lines, accordion pads fill the midrange. Energy rises fast, brief breakdown with just vocal and handclaps before the final big refrain.
Обложка трека Счастлива с тобой (v.2)
2:25
Warm mid‑tempo pop ballad with a subtle electronic pulse and rich acoustic guitar layers, female low vocals upfront. Verses stay intimate with close-mic huskiness and soft pads; chorus widens with lush harmonies, airy synth plucks, and a steady groove that invites a slow sway. Bridge strips back to vocal, bass, and sparse percussion before a final, lifted chorus with stacked ad-libs and a gentle, shining top line.
Обложка трека Счастлива с тобой
2:39
Warm mid‑tempo pop ballad with a subtle electronic pulse and rich acoustic guitar layers, female low vocals upfront. Verses stay intimate with close-mic huskiness and soft pads; chorus widens with lush harmonies, airy synth plucks, and a steady groove that invites a slow sway. Bridge strips back to vocal, bass, and sparse percussion before a final, lifted chorus with stacked ad-libs and a gentle, shining top line.
Обложка трека Весна в кедах (v.2)
2:34
Upbeat pop-rock with bright acoustic guitars doubled by a lightly overdriven electric, tight live drums, and bouncy bass. Female vocals, playful and forward in the mix, with stacked harmonies on the hook. Verses stay rhythmically choppy and conversational; chorus explodes with big open chords, shout-along backing vocals, and claps on the snare. Short bridge strips to guitar and vocal before a final high-energy chorus.
Обложка трека Весна в кедах
2:12
Upbeat pop-rock with bright acoustic guitars doubled by a lightly overdriven electric, tight live drums, and bouncy bass. Female vocals, playful and forward in the mix, with stacked harmonies on the hook. Verses stay rhythmically choppy and conversational; chorus explodes with big open chords, shout-along backing vocals, and claps on the snare. Short bridge strips to guitar and vocal before a final high-energy chorus.
Обложка трека Держимся за руки (v.2)
2:29
Glossy club-pop with a dark, minimal groove; fat side‑chained bass, tight drums, and icy synth plucks. Female vocals in a low, intimate register; verses are close and rhythmic, chorus widens with stacked harmonies and a subtle chant. Short bridge strips back to bass and claps before a final, hook-heavy chorus.
Обложка трека Держимся за руки
2:05
Glossy club-pop with a dark, minimal groove; fat side‑chained bass, tight drums, and icy synth plucks. Female vocals in a low, intimate register; verses are close and rhythmic, chorus widens with stacked harmonies and a subtle chant. Short bridge strips back to bass and claps before a final, hook-heavy chorus.
Обложка трека Тону в тебе (v.2)
3:33
Moody modern folk-pop with deep house pulse, female low vocals. Sparse plucked acoustic over warm sub bass and tight kick, distant vocal chops as texture. Verses stay intimate and close-mic’d, subtle reverb. Chorus widens with stacked harmonies, airy pads, and a hypnotic four-on-the-floor that swells then drops out in the bridge before the final lift., deep house
Обложка трека Тону в тебе
3:16
Moody modern folk-pop with deep house pulse, female low vocals. Sparse plucked acoustic over warm sub bass and tight kick, distant vocal chops as texture. Verses stay intimate and close-mic’d, subtle reverb. Chorus widens with stacked harmonies, airy pads, and a hypnotic four-on-the-floor that swells then drops out in the bridge before the final lift., deep house
Обложка трека Горькая да сладкая (v.2)
2:57
Slavic folk-club fusion with female low vocals: pounding four-on-the-floor kick under big festival claps, balalaika and accordion riffs chopped into a modern dance groove. Verses stay percussive and intimate with call-and-response shouts; chorus explodes with stacked village-style harmonies and stomping floor toms. Big sub in the drop, bright folk flute hook weaving through, wide reverb on the vocal to feel like a village square turned rave.
Обложка трека Горькая да сладкая
2:31
Slavic folk-club fusion with female low vocals: pounding four-on-the-floor kick under big festival claps, balalaika and accordion riffs chopped into a modern dance groove. Verses stay percussive and intimate with call-and-response shouts; chorus explodes with stacked village-style harmonies and stomping floor toms. Big sub in the drop, bright folk flute hook weaving through, wide reverb on the vocal to feel like a village square turned rave.
Обложка трека Жду тебя, и я дождусь (v.2)
2:38
Folky Russian pop over deep house groove: warm plucked strings and airy pads, muted kick and pulsing bass. Verses sit low and intimate in a female vocal, almost spoken on the edge of a sigh; chorus blooms with wide harmonies and a simple, aching hook. Subtle percussion builds toward a late-bridge lift, then drops back to a stripped, emotional outro hook.
Обложка трека Жду тебя, и я дождусь
3:29
Folky Russian pop over deep house groove: warm plucked strings and airy pads, muted kick and pulsing bass. Verses sit low and intimate in a female vocal, almost spoken on the edge of a sigh; chorus blooms with wide harmonies and a simple, aching hook. Subtle percussion builds toward a late-bridge lift, then drops back to a stripped, emotional outro hook.
Обложка трека Матушка-земля, Россия (v.2)
3:14
Anthemic Slavic-pop ballad with female vocals à la contemporary Russian estrada: warm strings and folk flute over midtempo drums and bass. Verses stay intimate with acoustic guitar and soft pads; chorus explodes with choir-style backing, big tom fills, and soaring lead. Subtle folk ornamentation in the vocal runs, wide reverb for a grand, proud feel.
Обложка трека Матушка-земля, Россия
2:59
Anthemic Slavic-pop ballad with female vocals à la contemporary Russian estrada: warm strings and folk flute over midtempo drums and bass. Verses stay intimate with acoustic guitar and soft pads; chorus explodes with choir-style backing, big tom fills, and soaring lead. Subtle folk ornamentation in the vocal runs, wide reverb for a grand, proud feel.
Обложка трека Ой, то не вечер (сон Степана) (v.2)
3:43
Lyrical folk-pop over glossy deep house groove, female vocals. Gentle plucked strings and subtle folk flute over warm side‑chained pads and muted bass. Verses stay intimate and close-mic’d; pre-chorus lifts with airy harmonies, chorus blooms with layered hooks and bright top synths. Light percussion and filtered claps keep it dancing but dreamy; breakdown strips to voice and drone-like vocal chops before final big chorus., deep
Обложка трека Ой, то не вечер (сон Степана)
3:52
Lyrical folk-pop over glossy deep house groove, female vocals. Gentle plucked strings and subtle folk flute over warm side‑chained pads and muted bass. Verses stay intimate and close-mic’d; pre-chorus lifts with airy harmonies, chorus blooms with layered hooks and bright top synths. Light percussion and filtered claps keep it dancing but dreamy; breakdown strips to voice and drone-like vocal chops before final big chorus., deep
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