SunoGen
Roman Semenov

Roman Semenov

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Треки
9
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60
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0
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Обложка трека Гимн штурмовиков
3:23
Epic Slavic battle chant with male vocals; low brass and toms in the verses, gang shouts on the hook, strings and snare rolls rising into a battlefield-sized chorus. Steady marching tempo, wide choral harmonies on key slogans, final refrain a cappella then whole band crashes in for the last line.
Обложка трека И вновь опять убитый (v.6)
2:58
18+
Cinematic trap-anthem with male vocals; low brass stabs, airy choirs and ticking percussion in the verses, then a huge, chanting hook with layered gang vocals and distorted 808s. Guitars double the topline in the chorus, snare rolls rise into explosive drops, final refrain strips to vocal, sub, and distant battlefield ambience.
Обложка трека И вновь опять убитый (v.5)
3:12
18+
Cinematic trap-anthem with male vocals; low brass stabs, airy choirs and ticking percussion in the verses, then a huge, chanting hook with layered gang vocals and distorted 808s. Guitars double the topline in the chorus, snare rolls rise into explosive drops, final refrain strips to vocal, sub, and distant battlefield ambience.
Обложка трека И вновь опять убитый (v.2)
2:51
18+
Cinematic trap-anthem with male vocals; low brass stabs, airy choirs and ticking percussion in the verses, then a huge, chanting hook with layered gang vocals and distorted 808s. Guitars double the topline in the chorus, snare rolls rise into explosive drops, final refrain strips to vocal, sub, and distant battlefield ambience.
Обложка трека Русский дух (v.4)
3:19
Cinematic orchestral score with female vocals: low strings and distant marching snare under verses, subtle choir pads; chorus blooms with bold brass swells and taiko-style hits. Vocals start intimate, almost whispered in the first lines, then rise into a soaring, defiant hook. Occasional battlefield SFX layers (rumble, far-off blasts) tucked low in the mix for tension, final chorus a half-step higher for cathartic lift.
Обложка трека Русский дух (v.3)
3:37
Cinematic orchestral score with female vocals: low strings and distant marching snare under verses, subtle choir pads; chorus blooms with bold brass swells and taiko-style hits. Vocals start intimate, almost whispered in the first lines, then rise into a soaring, defiant hook. Occasional battlefield SFX layers (rumble, far-off blasts) tucked low in the mix for tension, final chorus a half-step higher for cathartic lift.
Обложка трека Сто сорок третий (v.2)
3:30
rap, Hybrid of metalcore, indie rock, and trap-leaning rap; male vocals switching from cold spoken delivery in the verses to shouted gang vocals on the hook. Downtuned guitars and distorted 808-style low end lock with a stuttering hi-hat groove, then explode into halftime breakdowns with double kick bursts. Sparse, tense intros open into wide, reverb-heavy choruses, with backing shouts echoing the call signs like a squad answering across a ruined city.

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